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13
March
2018

TATE MODERN – PICASSO 1932

Tate Modern’s new exhibition, Picasso 1932, is a breathtaking display of one artist’s relentless and restless creativity. Running until September, it is already destined to be one of Britain’s cultural events of the year. Yet it embodies an unresolved paradox about the way that modern societies think about art. Picasso 1932 is exactly what the title suggests it is – a chronological survey of Pablo Picasso’s work during a single year, when the artist was 50 years old.
The exhibition at Tate Modern is laid out month by month, starting in January 1932 with several ebullient portraits of women and proceeding in stages to the darker work of November and December in the last room. In between, Picasso’soutput ranges prodigiously wide, from primitive sculptures and line drawings, through a set of pictures inspired by the octopus to another triggered by Matthias Grünewald’s early 16th-century Crucifixion.
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Chronology is the essence of the show. It focuses close-up on Picasso’s evolution in those 12 months. Yet here’s the paradox. Picasso himself disdained chronology. He thought of himself as someone who made new art. He was certainly interested in other art, like Grünewald’s, for example. He was always experimenting with subjects, line, colour and composition. But he wasn’t particularly interested in his own evolution or in his objectification as a significant historical figure. This disjunction is highlighted in the exhibition.
Back in 1932, Picasso curated in Paris one of the first retrospectives of his own work. Impatient with chronology, he deliberately mixed up his work from different periods – a device that is repeated in the June 1932 room of the Tate Modern show. To Picasso, his art needed no explanation. It existed as art, and not as part of a story. To the exhibition visitor, however, the chronology and the art are harder to separate.
Picasso is not the only artist who fought against attempts to impose chronology and meaning upon his work. His contemporary Igor Stravinsky was exactly the same about his music. Many others, before and since, have wrestled with attempts to categorise, judge or impose hierarchies on their work. Yet this is a struggle that can have no end. The artist always prefers to do new things in their own terms. But the viewer is always making connections and drawing conclusions that the artist rejects.
This is particularly important with Picasso. He expressed the visible in dazzlingly different ways. The late John Berger once called him “the master of the unfinished”. He didn’t mean that Picasso never finished his pictures. He meant that Picasso’s work is quintessentially the work of a particular moment, when the visible is always on the threshold of becoming the differently visible or the possibly visible. The brilliance of the Picasso 1932 exhibition is that it manages to be bring the two approaches together. It combines the actual – Picasso’s output of art – with the day-by-day possibility of paths not chosen. Picasso’s pictures and sculptures are objects now. But at Tate Modern they are objects of a creative moment. In this exhibition, creativity and chronology don’t repel; they reinforce.

26
February
2018

MARTYN BREWSTER : THE NOCTUNES, AUB 1 March – 12 April 2018

Martyn Brewster: The Nocturnes
Upcoming Exhibition Exhibition in Northwest Gallery / Exhibition in TheGallery
Curated by Professor Simon Olding
1 March – 12 April 2018 Northwest Gallery, AUB
Brought to you in partnership with TheGallery, AUB and Waterhouse & Dodd, London. Martyn Brewster: The Nocturnes, a text + work exhibition at TheGallery, Arts University Bournemouth.
The exhibition Martyn Brewster: The Nocturnes at TheGallery, AUB is a selection of recent works including paintings and drawings by the long-time associate Martyn Brewster. The Arts University Bournemouth exhibited with Martyn when TheGallery first opened its doors in 1998, and has since held a selection of his work as part of the AUB collection.
For the last thirty years, Martyn has lived near the cliffs, open skies and beaches of Southbourne, Dorset. Inspired by natural landscape, the sea and the light, his images are based on abstract or landscape themes.
Whilst always being involved with painting and the use of strong rich colours, his most recent work introduces a more restrained palette into his evocative abstract paintings. Martyn’s vigorous poetic response to his natural surroundings is expressed in the vitality of the work, and the quieter approach heralds paintings of a fresh contemplative power and strength.

22
February
2018

LEEDS ART GALLERY

Leeds Art Gallery
West Yorkshire, LS1 3AA
This historic Victorian building reopened its doors in October 2017 after a major renovation revealing a stunning glass ceiling and new gallery spaces. [https://www.artfund.org/thumbnail/331/assets/what-to-see/museums-and-galleries/k-m/leeds-art-gallery/lothar-gotz-leeds.jpg]
Staircase with Lothar Götz wall painting, Leeds Art Gallery
Housing internationally significant work, Leeds’ city gallery is also now home to a vibrant wall-painting by Lothar Götz, funded through Art Happens, our crowdfunding platform. Titled Xanadu, the painting transforms the gallery’s entrance staircase, drawing visitors’ attention up towards light-filled galleries which were revealed during the renovation process and are now visible for the first time in a generation.
New collection displays feature new acquisitions including the film installation Movie by Halifax-born artist Hilary Lloyd, acquired with Art Fund support, while the gallery’s continued partnership with the adjacentHenry Moore Institute means it holds one of the most exciting and extensive collections of British sculpture in the world.
Leeds Art Gallery also houses the beautiful Tiled Hall, originally the main library reading room and then a sculpture court. The original fabric of the room was revealed in 2007 after an extensive renovation, and features ornate tiles and a barrel-vaulted mosaic ceiling.

16
February
2018

The 18th Open Exhibition – St Barbe

The 18th Open Exhibition
Starts: February 23 – 10:00am Ends: April 15 – 4:00pm
The Open Exhibition returns for its 18th year, bigger and better than ever! With more than £1,000 cash prizes up for grabs, a new online entry process, and a new category for three-dimensional works, there will be a fresh look to the exhibition to match the new gallery spaces at St Barbe. Over the years the Open has become a popular highlight in the region’s arts calendar drawing entries from artists across Hampshire and Dorset and further afield. A panel of professional judges select the exhibition is selected, with the bar being set increasingly high to match the quality of the work submitted. A range of prizes are offered by through the generous support of local business partners, including The Coastal Gallery Award for best contemporary artwork (£300).
This year prizes include: • The New Milton Advertiser and Lymington Times People’s Choice Award (£300) • The Coastal Gallery Award for best contemporary abstract work (£300) • The Mary and John Symons Award for Best Print (£250) • The Blake Morgan Award for Best Painting (£250) • Ted Marsh Award, 18-21 years old (£100) • The Beaulieu Fine Arts Award for best work by a non-professional artist (£50 of framing) This is a selling exhibition

08
February
2018

AREK NOWICKI – SCULPTURE ARTIST

“I work with white stoneware clays fired to 1260* C, to produce strong, resilient pieces. This is due to a desire to create something that will last, something that I can leave behind in the world. This media dictates a range of colours and finishes that are possible, so earthy tones are that are common in nature frequently occur in my work.Use of clay to build large forms also leads to solid structures which have authority within the space they occupy. They do not merely exist, they create an atmosphere of life and energy, and the space is enhanced by the attention they draw to it. The method of hand building gives more freedom in creating shapes, jugs can become sculpture. The border between the two is crossed only when the completed glazed jug is viewed by different eyes, when the details, decorations and glazes are observed as the art and the vessel as the canvas upon which they are described. By contrasts and layers I am showing pots from different perspectives. I would like to bring them to life. Show movement, transformation, emotions – life. Crystalline glazes contribute to this effect because they show the same kind of captured movement as a photograph. Because crystalline glaze is very “runny” in the top temperature it needs to be caught, cooled rapidly, then soaked to encourage the unpredictable growth of the crystals.The glazes are so new, unusual, surprising and yet unexplored that many potters working with them, apply them to straight, smooth, simple porcelain shapes to best show off the beautiful crystals of various shapes and colours. I decided to take a different route, to use crystalline glazes contrasted with conventional high-temperature glaze and with different textures. I use them to enhance my art, whereas because of their unique beauty, others view crystalline glazes as an art form in and of themselves. To me a jug is not static, it is alive. I want to challenge people’s preconceived ideas about what a jug, a pot, a vase, is. These vessels are not limited by size, shape, functionality, they are not still and inanimate, they are made from the earth and grow from it.”

06
February
2018

CERAMIC SCULPTURE – AREK NOWICKI

Explore the virtually limitless world of ceramic sculpture. Meet the clay sculpture artist Arek Nowicki who bring clay to life in ways you may never have imagined. From the diminutive to the monumental, the figurative to the abstract, there are endless possibilities for expression in the form of ceramic sculpture.
Contemporary clay sculpture is perhaps the most diverse range of sculpture in existence, perhaps because clay has been used to make art objects longer than any other material. Browse through these archives to see images of the sometimes beautiful, sometimes unsettling works of talented contemporary ceramic sculptors and to find out more about their clay modeling techniques and their motivations. And don’t forget to download your free copy of Contemporary Clay Sculpture: A Collection of Four of Our Favorite Articles on Contemporary Ceramic Sculpture to see work by the latest and greatest new talents in the ceramic arts field.
Whether you are interested in finding out more about making ceramic wall art or you need to learn more about clay armature for figurative ceramic sculpture, you’ll find a wide variety of information on clay sculpture techniques in our vast archives.

23
January
2018

How photographers responded and contributed to the invention of abstract art

The birth of abstract art and the invention of photography were both defining moments in modern visual culture, but these two stories are often told separately. Shape of Light is the first major exhibition to explore the relationship between the two, spanning the century from the 1910s to the present day. It brings to life the innovation and originality of photographers over this period, and shows how they responded and contributed to the development of abstraction. Key vintage prints are brought together from pioneers like Paul Strand, László Moholy-Nagy and Man Ray, as well as lesser-known experimental works and those of contemporary artists such as Barbara Kasten and Thomas Ruff. Their work is shown alongside abstract paintings, sculptures and installations by major figures in abstract art, from Georges Braque and Jackson Pollock to Carl Andre and Bridget Riley.

23
January
2018

TATE MODERN – SHAPE OF LIGHT EXHIBITION – 11 May – 25 September 2018

How photographers responded and contributed to the invention of abstract art
The birth of abstract art and the invention of photography were both defining moments in modern visual culture, but these two stories are often told separately. Shape of Light is the first major exhibition to explore the relationship between the two, spanning the century from the 1910s to the present day. It brings to life the innovation and originality of photographers over this period, and shows how they responded and contributed to the development of abstraction. Key vintage prints are brought together from pioneers like Paul Strand, László Moholy-Nagy and Man Ray, as well as lesser-known experimental works and those of contemporary artists such as Barbara Kasten and Thomas Ruff. Their work is shown alongside abstract paintings, sculptures and installations by major figures in abstract art, from Georges Braque and Jackson Pollock to Carl Andre and Bridget Riley.

03
January
2018

More Art highlights for 2018

From celebrity closet gazing, through to fanfare openings and reopenings, surreal theatricality, Parisian delights and Michael Jackson, there is much on offer from the arts world to fill your diary from spring to winter this coming year. People’s wardrobes and what they chose to keep in them is their business. Unless they are very famous, when they become our business. Or, good business, in the case of the Victoria and Albert Museum (V&A). Based in London’s South Kensington area, the V&A – one of the UK’s leading arts venues– has become a celebrity closet specialist. It did very well with an exhibition of David Bowie’s outfits in 2013, followed in 2015 by another dedicated to the fashion designer Alexander McQueen. The next popular icon to get the museum’s blockbuster frock treatment is the Mexican artist Frida Kahlo, in its summer show: Frida Kahlo’s Wardrobe (16 June – 4 November). The wardrobe in question had been sealed for 50 years at her home – The Blue House (La Casa Azul) – in Mexico City. This was on the instruction of her husband, the muralist Diego Rivera, when Kahlo died aged 47 in 1954. More art highlights for 2018 * Bridget Riley at David Zwirner Gallery (19 January – 10 March) * Charles I: King and Collector at Royal Academy (27 Jan – 15 April) * Bacon and Freud at Tate Britain (28 February – 27 August) * Picasso 1932: Love, Fame, Tragedy at Tate Modern (8 March – 9 September) * Egon Schiele at Tate Liverpool (24 May – 23 September) * Ed Ruscha at the National Gallery (11 June – 7 October) * Mantegna and Bellini at the National Gallery (1 October – 27 January 2019) *

02
January
2018

GUIDE TO THE BIGGEST MUSEUM OPENINGS IN 2018

Our Complete Guide to the Biggest, Baddest, Boldest Museum Openings in 2018 From the London Museum of Photography to Cairo’s Grand Egyptian Museum, here are the openings—and reopenings—you need to know about in 2018. [https://news.artnet.com/app/news-upload/2017/12/2-PineEntrance_MarkelCenter_ICAVCU-1024×581.jpg]A rendering of VCU’s Institute for Contemporary Art at the Markel Center. © Steven Holl Architects and the Institute for Contemporary Art, VCU. 2017 was a big year for new museum openings and expansions. In the US, the former Santa Monica Museum of Art re-opened as the Institute of Contemporary Art in Los Angeles. The similarly named (but unrelated) Institute of Contemporary Art, Miami made its proper debut, and the Bass Museum moved into its new digs down the road. And not all the action was stateside: The Louvre Abu Dhabi launched in the United Arab Emirates, the new Tate outpost opened in Cornwall, and the Zeitz Museum of Contemporary Art Africa was inaugurated in Cape Town. To be sure, 2017 will be hard to top, but 2018 has a few blueprints up its sleeve. We may not see the same number of new arrivals, but there are some big-time expansions and new operations worth keeping an eye on, including two new institutions dedicated to photography and the long-awaited arrival of the world’s largest archeological museum in Africa. So as you put 2017 in the rear view, here is our guide to the most interesting museum openings—and re-openings—in 2018: 1. Institute for Contemporary Art at Virginia Commonwealth University (VCU) [https://news.artnet.com/app/news-upload/2017/12/ICA-VCU-17-12-SHA-4280-1024×683.jpg] Institute for Contemporary Art at Virginia Commonwealth University. Photo by Iwan Baan. Courtesy of the Institute for Contemporary Art, VCU. ADVERTISING Opening Date: April 2018 Location: Richmond, Virgina Positioned at the entryway of VCU’s Monroe Park Campus in the middle of Richmond’s arts district, the new Institute for Contemporary Art is the largest privately funded arts project in the school’s history. The museum cost an estimated $41 million to build and was designed by Steven Holl Architects, the same firm that was responsible for two other major recent college art projects: the Visual Arts Building at the University of Iowa in 2016 and the Lewis Center for the Arts at Princeton, which opened earlier this year. The ICA is set to open in April with “Declaration,” an exhibition bringing together 30 artists whose work addresses a variety of social issues. 2. The Legacy Museum: From Enslavement to Mass Incarceration Opening Date: April 2018 Location: Montgomery, Alabama This spring, the Equal Justice Initiative, a non-profit organization committed to fighting for racial and economic injustice, will open The Legacy Museum: From Enslavement to Mass Incarceration. The museum will explore the “legacy of slavery, racial terrorism, segregation, and contemporary issues of mass incarceration, excessive punishment, and police violence” in the United States. Located in Montogomery, Alabama, the former capital of domestic slave trade in the state, on the site of a former slave warehouse, the institution will combine art (Sanford Biggers and Hank Willis Thomas are mentioned on EJI’s website), interactive media, and oral history across its exhibitions. 3. Nordic Museum [https://news.artnet.com/app/news-upload/2018/01/NHM.MarketSt.Mithun.MIR_.10.20.17-1024×614.jpg] A rendering of the new Nordic Museum building. Design by Mithun. Image by Mir. Courtesy the Nordic Museum. Opening Date: May 2018 Location: Seattle, Washington The Nordic Heritage Museum has long outgrown the old elementary school building it moved into when it was founded 1980. Finally, in the spring of next year, the museum will move into a new 57,000-square-foot home in the Ballard neighborhood of Seattle, and rebrand itself as the Nordic Museum. The building, which cost upwards of $45 million, will be wrapped in a “vertically striated zinc skin,” while inside, tall, angular white walls will invoke the glacier planes of a fjord. 4. Grand Egyptian Museum [https://news.artnet.com/app/news-upload/2017/12/GettyImages-479075730-1024×682.jpg] Construction at the new Grand Egyptian Museum near the Giza pyramids in Cairo. Photo: KHALED DESOUKI/AFP/Getty Images. Opening Date: May 2018 Location: Cairo, Egypt The Grand Egyptian Museum might be the most impressive structure built in Cairo since the Giza pyramids—which, appropriately, are just over a mile away from the new building’s location. The institution has been in the works for over a decade now and has come to cost nearly $1 billion in total (paid by a combination private donations, funds from the Egyptian government, and a loan from a Japanese bank). However, the end is in sight: The mega-museum is scheduled to open in May 2018, with a blockbuster exhibition revealing King Tut’s tomb. The museum expects visitor numbers to be in the tens of thousands per day; it’s part of a plan to reinvigorate the country’s flailing tourism industry. Designed by the Dublin-based architecture firm Heneghan Peng—which was awarded the job after winning one of the largest architectural competitions in history—the 650,000-square-foot building will be the permanent home to hundreds of thousands of ancient artifacts, a substantial amount of which have never before been shown to the public. 5. Victoria & Albert Museum of Design, Dundee [https://news.artnet.com/app/news-upload/2018/01/Construction-Sep-2017_Large-1200px-1024×683.jpg] The Victoria & Albert Museum of Design, Dundee. Photo by Ross Fraser McLean. Courtesy the Victoria & Albert Museum. Opening Date: Summer 2018 Location: Dundee, Scotland One of two Victoria & Albert Museum outposts planned for 2018, the Museum of Design in Dundee, Scotland aims to bring a fresh, accessible perspective to the field while highlighting the country’s rich design heritage. The buzzed-about building is designed by Kengo Kuma, the same architect responsible for the Olympic stadium in Tokyo in 2020. It cost over $100 million—almost double its original estimate—and will be located on the bank of the River Tay. The museum is one of the central components of the Scottish city’s 30-year, $1.3 billion waterfront transformation. 6. Photography Centre at the Victoria & Albert Museum [https://news.artnet.com/app/news-upload/2017/12/dka-170602-vanda-photography-centre-1024×512.jpg] A rendering of the new Photography Centre at the Victoria & Albert Museum in London. Courtesy the V&A Museum and David Kohn Architects. Opening Date: Fall 2018 Location: London, England Announced earlier this year, the second V&A expansion project planned for 2018 is a new photography center on the museum’s campus in central London. The new building will house the museum’s own collection of photography—one of the most substantial in the world, with over 500,000 works. It will also house the collection of the Royal Photographic Society—with over 270,000 works—which was controversially relocated from its former home at the National Media Museum to the V&A in 2016. Together, the two collections form the world’s single largest photography collection. Designed by David Kohn Architects, the new building will double the amount of exhibition currently reserved for photography at the museum. 7. Glenstone Museum [Glenstone Museum expansion. Rendering courtesy of Thomas Phifer & Partners and the Glenstone Museum.] Glenstone Museum expansion. Rendering courtesy of Thomas Phifer & Partners and the Glenstone Museum. Opening Date: Late 2018 Location: Potomac, Maryland By any measure, Glenstone, founded in 2006 by collectors Mitchell and Emily Rales in Potomac, Maryland, is already a big art institution. But its new expansion, slated to be finished in late ’18, will make it one of the largest private museums in the world. Designed by Thomas Phifer, the new expansion will add a new museum building with 50,000 square feet of exhibition space, an arrival hall, an entry pavilion, a bookstore, multiple cafes, and an additional 100 acres of land for the sculpture garden. 8. London Museum of Photography [https://news.artnet.com/app/news-upload/2018/01/1345_10_Whitechapel_Pavilion_Dusk_View_01_03-1024×864.jpg] A rendering of the White Chapel Building. Courtesy the Derwent London. Opening Date: Late 2018 Location: London, England Fotografiska, a forward-thinking museum for contemporary photography, opened in Stockholm in 2010. Now, the founders of that museum—brothers Jan and Per Broman—are planning to bring their vision to London. Located in the east end of the UK capital, down the block from the Whitechapel Gallery, the London Museum of Photography will occupy 89,000 square feet in a new Fletcher Priest-designed building. The privately funded, for-profit venue will host exhibitions year-round. And the Broman brothers are not done: They also reportedly signed a lease for a six-story building in New York this summer, suggesting that another museum might soon be on the horizon.